Brooklyn-born, women-owned, out most weekends

We start with your guests, not our equipment

Any company can wheel a machine into a room. What decides whether the booth becomes the thing people talk about afterwards is who is standing next to it, how the line is managed, and whether the print lands in someone's hand while they are still laughing about the photo.

So every event we plan starts with the same question: who is actually in this room? A corporate holiday party in Midtown, a Brooklyn wedding where half the guests flew in, a Sweet Sixteen where the crowd is fifteen — those are three completely different jobs, even if the booth looks the same in the corner.

Rooted in Brooklyn, built for the whole city

We take our cues from the people, brands and culture around us, and channel that into events guests remember long after the night ends. Brooklyn is home — Williamsburg rooftops, Bushwick warehouses, Park Slope brownstones — but the van goes out to Manhattan, Queens, the Bronx, Staten Island, Long Island, Westchester, New Jersey and Connecticut just as regularly.

We have invested in the equipment that makes the experience worth having: pro-grade Canon DSLRs, studio ring lighting, dye-sublimation printers, the 360 platform, the mosaic wall, the roaming handheld system. Nine distinct booth experiences, all run by people who have set them up hundreds of times.

The unglamorous things we take seriously

We carry a $2 million insurance policy and turn certificates of insurance around the same day your venue asks — which, if you have ever chased a vendor for a COI two days before a wedding, you will recognize as a real feature. We arrive a full hour before start time and set up in about twenty minutes, so the booth is tested and quiet before your first guest sees it. We quote travel from your venue ZIP code up front rather than surprising you with it later.

None of that is exciting. All of it is why the reviews read the way they do.